✍ 2027 수능완성 영어 2강 문장별 빈칸

Here is a ____ quality of music.

Note names repeat ____ of a perceptual phenomenon that corresponds to the doubling and halving of frequencies.

When we double or halve a frequency, we end up with a note that sounds remarkably ____ to the one we started out with.

This relationship, a frequency ____ of 2:1 or 1:2, is called the octave.

It is so important that, in spite of the large differences that exist between musical cultures, every culture we know of ____ the octave as the basis for its music, even if it has little else in common with other musical traditions.

This phenomenon leads to the notion of circularity in pitch perception, and is ____ to circularity in colors.

Although red and violet ____ at opposite ends of the continuum of visible frequencies of electromagnetic energy, we see them as perceptually similar.

The same is true in music, and music is often described as having two dimensions, one that accounts for tones going up in frequency and another that accounts for the perceptual sense that ____ come back home again each time we double a tone's frequency.

Each actor in a story should contribute in some ____.

Sometimes characters are ____ fillers.

Can they be cut or ____ with another?

First-time writers often have twins, or two brothers, who can be reduced to one, with double the complexity; by putting more than one function or role into a character, it's possible to ____ them that much more interesting.

Each person should have some universally found quality that provides the reader with a shock of recognition (think Miss Havisham in Charles Dickens's Great Expectations, or Sethe, the tormented mother of Toni Morrison's Beloved), but the ____ successful characters should not be predictable, and it can pay to have a person run against the personality traits he or she has been given.

This is particularly true of the most sympathetic, heroic creations: They need that little drop of poison that the bee puts into honey to stop it going ____.

A brand is a collection of experiences that make up a persona in your mind, and familiarity ____ liking.

____ you are set up on a blind date.

How critical are you of that ____ actions?

Everything they say and do is being ____ and tallied.

An annoying slurp of the soup could be enough to place this otherwise wonderful person into the reject pile ____.

Now imagine you're married, and your partner makes a similarly annoying soup slurp...is it time to ____ for divorce?

Probably ____.

____ the same thing with brands.

When you first meet them, you are on high alert — your defenses are high, and you are ready for them to do something that will allow you to categorize ____ as a hero or a zero.

During this process, your brain is using a combination of subconscious and conscious techniques to ____ the brand.

Once they've passed the evaluation phase and transitioned to a ____ — or even better, a favorite — brand, they might "slurp the soup" from time to time and still be a ten.

A ____ is a work of representation.

What the patron ____ is a good likeness; and that is what the painter aims, and successfully, if he is a competent painter, at producing.

It is not a difficult thing to do, and we may reasonably assume that in portraits by ____ painters such as Raphael, Titian, Velazquez, or Rembrandt, it has been done.

But, however reasonable the assumption may be, it is an ____ and nothing more.

The ____ are dead and gone, and we cannot check the likeness for ourselves.

If, therefore, the only kind of merit a portrait could have were its likeness to the sitter, we could not possibly ____, except where the sitter is still alive and unchanged, between a good portrait and a bad one.

I knew a wealthy art-collector who ____ never collect portraits, for this very reason.

He maintained that since the ____ of a portrait-painter was to produce a likeness, there was no way of distinguishing a good portrait from a bad one once the sitter was dead.

He was a very good ____.

Not surprisingly, the "right to be forgotten" has generated intense ____.

Some argue that information should be widely ____ about everyone, once it has entered public space such as a website.

It may be difficult to decide when information is sufficiently embarrassing, or ____ it has lost contemporary relevance, these critics of delisting say; information about a gentleman's old debts might be very useful for someone contemplating offering him new credit.

Critics are especially ____ that delisting decisions are made by private companies operating search engines, which may have interests very different from those of the public in accessing information or those of individuals in protecting it.

Such critics, who would prefer that the Internet facilitate the open flow of information, sometimes invoke the ____ of the Internet as a "Swiss cheese" full of holes.

In the United States, it is likely that attempts to assert the right to be forgotten would come into conflict with arguments for freedom of ____, including commercial speech.

There is a practice inspired by Yoda, the wise ____ master from the Star Wars films, who represents ultimate wisdom, truth, and insight — all the answers we need in one entity.

I believe the wisdom of Yoda is in ____ team but not in any one of us alone.

Only by drawing out of everyone their point of view can we achieve the best, boldest ____.

The problem is that most people don't have the courage to ____ up.

So, you're ____ to make Yoda the "safe word" for business.

To begin, you can appoint a ____ Yodas in any meeting or group conversation, though it is particularly useful in potentially difficult or volatile situations.

By giving the Yodas ____ permission to raise their hand and call a "Yoda moment," and say the hard things or act as a referee between competing perspectives, you are making it safe for others to do the same.

Taking time to introduce the Yoda concept and to select some Yodas for the role goes a long way to diffusing ____ in challenging conversations before it hinders frankness and ultimately your business results.