✍ 2027 수능완성 영어 2강 문장별 빈칸

____ is a fundamental quality of music.

Note ____ repeat because of a perceptual phenomenon that corresponds to the doubling and halving of frequencies.

When we double or halve a ____, we end up with a note that sounds remarkably similar to the one we started out with.

This relationship, a frequency ratio of 2:1 or 1:2, is called the ____.

It is so important that, in spite of the ____ differences that exist between musical cultures, every culture we know of has the octave as the basis for its music, even if it has little else in common with other musical traditions.

This phenomenon leads to the ____ of circularity in pitch perception, and is similar to circularity in colors.

Although ____ and violet fall at opposite ends of the continuum of visible frequencies of electromagnetic energy, we see them as perceptually similar.

The same is true in music, and music is often described as having two ____, one that accounts for tones going up in frequency and another that accounts for the perceptual sense that we've come back home again each time we double a tone's frequency.

Each actor in a ____ should contribute in some way.

____ characters are just fillers.

Can they be cut or combined with ____?

First-time writers often have twins, or two brothers, who can be reduced to one, with double the complexity; by putting more than one function or role into a character, ____ possible to make them that much more interesting.

Each person should have some universally found quality that provides the reader with a shock of recognition (think Miss Havisham in Charles Dickens's Great Expectations, or Sethe, the tormented mother of Toni Morrison's Beloved), but the most successful characters should not be predictable, and it can pay to have a person run against the ____ traits he or she has been given.

This is particularly true of the ____ sympathetic, heroic creations: They need that little drop of poison that the bee puts into honey to stop it going bad.

A ____ is a collection of experiences that make up a persona in your mind, and familiarity breeds liking.

Imagine you are set up on a ____ date.

____ critical are you of that person's actions?

Everything they say and do is ____ evaluated and tallied.

An ____ slurp of the soup could be enough to place this otherwise wonderful person into the reject pile forever.

Now imagine you're married, and your ____ makes a similarly annoying soup slurp...is it time to file for divorce?

____ not.

It's the same ____ with brands.

When you first meet ____, you are on high alert — your defenses are high, and you are ready for them to do something that will allow you to categorize them as a hero or a zero.

During this process, your brain is using a combination of subconscious and conscious ____ to evaluate the brand.

Once they've passed the evaluation phase and transitioned to a known — or even better, a favorite — brand, they might "slurp the soup" from time to time and ____ be a ten.

A portrait is a work of ____.

What the patron ____ is a good likeness; and that is what the painter aims, and successfully, if he is a competent painter, at producing.

It is not a difficult thing to do, and we may reasonably assume that in ____ by great painters such as Raphael, Titian, Velazquez, or Rembrandt, it has been done.

But, ____ reasonable the assumption may be, it is an assumption and nothing more.

The sitters are dead and gone, and we cannot ____ the likeness for ourselves.

If, therefore, the only kind of merit a portrait could have were its likeness to the sitter, we could not possibly distinguish, ____ where the sitter is still alive and unchanged, between a good portrait and a bad one.

I knew a wealthy art-collector who would never collect ____, for this very reason.

He maintained that since the business of a portrait-painter was to produce a ____, there was no way of distinguishing a good portrait from a bad one once the sitter was dead.

He was a very ____ stockbroker.

Not surprisingly, the "right to be forgotten" has generated intense ____.

Some argue that information should be widely available about ____, once it has entered public space such as a website.

It may be difficult to decide when information is sufficiently embarrassing, or when it has lost contemporary relevance, these critics of delisting say; ____ about a gentleman's old debts might be very useful for someone contemplating offering him new credit.

Critics are especially concerned that delisting decisions are made by private companies operating search engines, which may have interests very different from those of the public in accessing information or those of individuals in ____ it.

Such critics, who would prefer that the Internet facilitate the open flow of information, sometimes invoke the image of the Internet as a "Swiss cheese" ____ of holes.

In the United States, it is ____ that attempts to assert the right to be forgotten would come into conflict with arguments for freedom of speech, including commercial speech.

There is a practice inspired by Yoda, the wise Jedi ____ from the Star Wars films, who represents ultimate wisdom, truth, and insight — all the answers we need in one entity.

I believe the wisdom of Yoda is in every team but ____ in any one of us alone.

____ by drawing out of everyone their point of view can we achieve the best, boldest answers.

The problem is that most people don't have the courage to ____ up.

So, you're going to make Yoda the "____ word" for business.

To begin, you can ____ a few Yodas in any meeting or group conversation, though it is particularly useful in potentially difficult or volatile situations.

By giving the Yodas explicit permission to raise their hand and call a "Yoda moment," and say the hard things or act as a referee between competing perspectives, you are making it safe for ____ to do the same.

Taking time to introduce the Yoda concept and to select ____ Yodas for the role goes a long way to diffusing tension in challenging conversations before it hinders frankness and ultimately your business results.