EBS 2026학년도 수능완성 영어 1강
1강 필자의 주장 글의 요지
기출 인간의 문화적 도구인 도덕성
Even though there is good reason to consider a dog a sentient being capable of making choices and plans — so that we might suppose ‘it could have conceived of ____ otherwise’ — we’re unlikely to think it is wicked and immoral for attacking a child.
Moral responsibility is not some universal concept like entropy or temperature — something that applies ____, and can be measured similarly, everywhere in the cosmos.
It is a notion developed specifically for human ____, no more or less than languages are.
While sentience and volition are aspects of mind and agency, morals are cultural ____ developed to influence social behaviour: to cultivate the desirable and discourage the harmful.
They are learnt, ____ given at birth. It’s possible, indeed likely, that we are born with a predisposition to cooperate with others — but only within human society do we come to understand this as moral behaviour.
1 영화의 장르 관습
Conventions are frequently used stylistic techniques or narrative devices typical of (but ____ necessarily unique to) particular genre traditions.
Movies make ____ of many conventions.
Bits of dialogue, musical figures, physical action, and patterns of mise-en-scène are all aspects of movies that, repeated from film to film, ____ established as conventions.
In a film musical, for example, narrative progression usually halts for the production numbers as characters break into song and dance accompanied by music that seems suddenly to ____ from nowhere.
Where we might find such moments out of place in, say, a gangster film or a horror film, we allow for this artifice in film ____.
According to Bordwell, Staiger, and Thompson, each genre creates ____ own rules, and the spectator judges any given element in the light of its appropriateness to genre conventions.
In other words, conventions function as an implied agreement between ____ and consumers to expect certain techniques and devices in certain contexts.
Consumers, thus, are crucial to the development of ____ over time.
2 자기 연민의 필요성
Can you tenderly ____ at the landscape of your life and lovingly explore its pits and grooves, its highs and lows, without releasing the harsh, hateful, and truly mean voice that lives inside your head?
You know that voice all ____ well. It’s the tape that plays over and over that you barely notice but that rules your universe.
You are too this, too that, not enough this, not ____ that.
Can you quiet that voice and find the sweet, loving part of you that ____ been there for all of your friends, holding the light in the midst of their most devastating failures and worst mistakes?
Can you just this ____ be that for yourself?
The process of reinventing yourself and revisioning your life requires not only courage but a ____ sense of compassion we don’t ordinarily shine on ourselves.
It’s brave to look at what you’ve created in every area of your life, and the compassion keeps you from wanting to resist the ____ parts.
It’s the reckoning that launches the ____.
And ____ a necessary part of the process that can’t be shortchanged.
3 성공과 행복에 관한 그릇된 인식
If success and happiness were more aligned with what you do than who you are being, then it follows that the ____ work you do and the faster you do it, the more ‘success’ you will achieve and the faster you will accomplish it.
But that simply ____ what happens.
Burnout, ____, anxiety, and mental health issues are worse in Western society than previous decades, not better.
Despite advances in technology, despite how ____ we work, despite the increasing number of hours and overtime we are doing, there is ample research to show that our collective sense of wellbeing is diminishing, not increasing.
The world is not a happy ____ despite all our efforts to the contrary.
To follow ____ mantra of “Do more to be more!”, then, is no different from following the words of false prophets: you risk submitting yourself to the power of others and enslaving yourself to their whims and desires.
Your life is no longer your ____.
4 자신의 생각과 다른 관점의 수용
Just because you have a plan doesn’t mean that you can ____ stick to it.
Nevertheless, you still need to have one! ____ be talking with real people who don’t necessarily have the same perspective as you.
They will have their own agendas, questions that are off-the-wall to you (but ____ to them), unanticipated confusions, and various personal concerns.
They will ____ their own funds of knowledge.
And ____ important that you listen for all of these things and respond to them in a genuine way.
You don’t want your activity to be a performance where the ____ contributions are treated like some random humming that ought to be ignored;
____ contributions are critical to the conversation too, and you will need to let your conversational partners help steer it.
So no matter what your plan was when you ____, you will need to be flexible and open to different directions once you’re actually interacting with people.
5 타인의 감정 파악에 도움을 줄 수 있는 소설 읽기
____ not only satiates theory of mind but also instructs it.
People who read more fiction exhibit enhanced social reasoning, from identifying others’ emotions, to adopting their ____, to empathizing with their situation.
____ of the most compelling evidence for this relationship comes from a test called “Reading the Mind in the Eyes.”
Determining what people are thinking just by ____ at their eyes can be highly challenging.
____ not too difficult to tell whether they are happy or sad, but could you tell if they were suspicious or indecisive? Accusing or irritated?
Such differences are detectable, but not ____ is skilled at detecting them.
____ who read a lot of fiction turn out to be more skilled.
They can distinguish romantic signals from gratitude or ____ from boredom just from the eyes.
Contemplating emotions in fiction appears to improve the detection of these emotions in real life, even though we never ____ anyone’s eyes when reading.