2026 수능완성 영어 1강 변형

EBS 2026학년도 수능완성 영어 1강

1강 필자의 주장 글의 요지

기출 인간의 문화적 도구인 도덕성

Even though there is good reason to consider a dog a sentient being capable of making choices and plans — so ____ we might suppose ‘it could have conceived of acting otherwise’ — we’re unlikely to think it is wicked and immoral for attacking a child.

Moral responsibility is not some universal concept like entropy or temperature — something that applies equally, and can ____ measured similarly, everywhere in the cosmos.

It is a notion developed specifically for human use, no ____ or less than languages are.

While sentience and volition are aspects ____ mind and agency, morals are cultural tools developed to influence social behaviour: to cultivate the desirable and discourage the harmful.

They are learnt, not given at birth. It’s possible, indeed likely, that we are born with a predisposition to cooperate with others — but only ____ human society do we come to understand this as moral behaviour.


1 영화의 장르 관습

____ are frequently used stylistic techniques or narrative devices typical of (but not necessarily unique to) particular genre traditions.

Movies make use of many ____

Bits of dialogue, musical figures, physical action, and patterns of mise-en-scène are all aspects ____ movies that, repeated from film to film, become established as conventions.

In a film musical, for example, narrative progression ____ halts for the production numbers as characters break into song and dance accompanied by music that seems suddenly to materialize from nowhere.

Where we might find such moments out of place in, say, a gangster film or a horror ____ we allow for this artifice in film musicals.

According to Bordwell, Staiger, and Thompson, each genre creates its ____ rules, and the spectator judges any given element in the light of its appropriateness to genre conventions.

In other words, conventions function as an implied agreement between makers and consumers ____ expect certain techniques and devices in certain contexts.

Consumers, thus, are crucial to the development of genres ____ time.


2 자기 연민의 필요성

Can you tenderly look at the landscape of your life and lovingly explore its pits and grooves, its highs and lows, without ____ the harsh, hateful, and truly mean voice that lives inside your head?

You know that voice all too well. It’s the tape that plays over and over that you barely notice but that ____ your universe.

You ____ too this, too that, not enough this, not enough that.

Can you quiet that voice and find the sweet, loving part ____ you that has been there for all of your friends, holding the light in the midst of their most devastating failures and worst mistakes?

____ you just this once be that for yourself?

The process ____ reinventing yourself and revisioning your life requires not only courage but a deep sense of compassion we don’t ordinarily shine on ourselves.

It’s brave to look at what you’ve created in every area of your life, and the compassion keeps you from wanting to resist the painful ____

It’s the reckoning that launches ____ dream.

And ____ a necessary part of the process that can’t be shortchanged.


3 성공과 행복에 관한 그릇된 인식

If success and happiness were more aligned with what you do than who you are being, then it follows ____ the more work you do and the faster you do it, the more ‘success’ you will achieve and the faster you will accomplish it.

But that simply isn’t ____ happens.

Burnout, stress, anxiety, and mental health issues are ____ in Western society than previous decades, not better.

Despite advances in technology, despite how hard we work, despite the increasing number of ____ and overtime we are doing, there is ample research to show that our collective sense of wellbeing is diminishing, not increasing.

The world is not a happy place despite all ____ efforts to the contrary.

To ____ society’s mantra of “Do more to be more!”, then, is no different from following the words of false prophets: you risk submitting yourself to the power of others and enslaving yourself to their whims and desires.

Your life is no longer your ____


4 자신의 생각과 다른 관점의 수용

Just because you have a plan ____ mean that you can always stick to it.

Nevertheless, you still need to ____ one! You’ll be talking with real people who don’t necessarily have the same perspective as you.

They will have their own agendas, ____ that are off-the-wall to you (but fascinating to them), unanticipated confusions, and various personal concerns.

They will have ____ own funds of knowledge.

And it’s important that you listen for ____ of these things and respond to them in a genuine way.

You don’t want your activity to be a performance where the public’s contributions are treated like some ____ humming that ought to be ignored;

these contributions are critical to the conversation too, and you ____ need to let your conversational partners help steer it.

So ____ matter what your plan was when you started, you will need to be flexible and open to different directions once you’re actually interacting with people.


5 타인의 감정 파악에 도움을 줄 수 있는 소설 읽기

Fiction not only satiates ____ of mind but also instructs it.

People who read more fiction exhibit enhanced social reasoning, from identifying others’ emotions, to adopting their perspective, ____ empathizing with their situation.

Some of the most compelling evidence for this relationship comes from a test ____ “Reading the Mind in the Eyes.”

Determining what people are thinking ____ by looking at their eyes can be highly challenging.

It’s not too difficult to tell whether they are happy or sad, but could you tell if ____ were suspicious or indecisive? Accusing or irritated?

Such differences are detectable, but not everyone is skilled at detecting ____

People who read a lot ____ fiction turn out to be more skilled.

They can distinguish ____ signals from gratitude or caution from boredom just from the eyes.

Contemplating emotions in fiction ____ to improve the detection of these emotions in real life, even though we never see anyone’s eyes when reading.


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