EBS 2026학년도 수능완성 영어 1강
1강 필자의 주장 글의 요지
기출 인간의 문화적 도구인 도덕성
Even though there is ____ reason to consider a dog a sentient being capable of making choices and plans — so that we might suppose ‘it could have conceived of acting otherwise’ — we’re unlikely to think it is wicked and immoral for attacking a child.
____ responsibility is not some universal concept like entropy or temperature — something that applies equally, and can be measured similarly, everywhere in the cosmos.
It is a ____ developed specifically for human use, no more or less than languages are.
While sentience ____ volition are aspects of mind and agency, morals are cultural tools developed to influence social behaviour: to cultivate the desirable and discourage the harmful.
____ are learnt, not given at birth. It’s possible, indeed likely, that we are born with a predisposition to cooperate with others — but only within human society do we come to understand this as moral behaviour.
1 영화의 장르 관습
Conventions ____ frequently used stylistic techniques or narrative devices typical of (but not necessarily unique to) particular genre traditions.
Movies make ____ of many conventions.
Bits of dialogue, musical figures, physical action, and patterns of mise-en-scène are all aspects of movies that, repeated from film to ____ become established as conventions.
In a film musical, for example, narrative progression usually halts for the production numbers as characters break into song and dance ____ by music that seems suddenly to materialize from nowhere.
Where we might find such moments out of place in, say, a gangster film or a ____ film, we allow for this artifice in film musicals.
According to Bordwell, Staiger, and Thompson, each genre creates its own rules, ____ the spectator judges any given element in the light of its appropriateness to genre conventions.
In other words, ____ function as an implied agreement between makers and consumers to expect certain techniques and devices in certain contexts.
Consumers, thus, are crucial to the development of genres ____ time.
2 자기 연민의 필요성
Can you tenderly look at the landscape ____ your life and lovingly explore its pits and grooves, its highs and lows, without releasing the harsh, hateful, and truly mean voice that lives inside your head?
You know that voice all too well. It’s the tape that plays over and over that ____ barely notice but that rules your universe.
You are too this, too that, not ____ this, not enough that.
Can you quiet that voice and find the sweet, loving part of ____ that has been there for all of your friends, holding the light in the midst of their most devastating failures and worst mistakes?
Can you just this once be ____ for yourself?
The process of reinventing yourself and revisioning your life requires not only courage but a deep sense of compassion we ____ ordinarily shine on ourselves.
It’s brave to look at what you’ve created in every area of your life, ____ the compassion keeps you from wanting to resist the painful parts.
It’s ____ reckoning that launches the dream.
And ____ a necessary part of the process that can’t be shortchanged.
3 성공과 행복에 관한 그릇된 인식
If success and happiness were more aligned with ____ you do than who you are being, then it follows that the more work you do and the faster you do it, the more ‘success’ you will achieve and the faster you will accomplish it.
But that simply isn’t what ____
Burnout, stress, ____ and mental health issues are worse in Western society than previous decades, not better.
Despite advances in technology, despite how hard we work, despite the increasing number of hours and overtime we are doing, there is ample ____ to show that our collective sense of wellbeing is diminishing, not increasing.
The world ____ not a happy place despite all our efforts to the contrary.
To follow society’s ____ of “Do more to be more!”, then, is no different from following the words of false prophets: you risk submitting yourself to the power of others and enslaving yourself to their whims and desires.
____ life is no longer your own.
4 자신의 생각과 다른 관점의 수용
Just because you have ____ plan doesn’t mean that you can always stick to it.
Nevertheless, you still need to have one! You’ll be talking with real ____ who don’t necessarily have the same perspective as you.
They will have their own agendas, questions that are ____ to you (but fascinating to them), unanticipated confusions, and various personal concerns.
They will ____ their own funds of knowledge.
And it’s important that you listen for all ____ these things and respond to them in a genuine way.
You don’t want your activity to be a performance where the public’s contributions are treated like some ____ humming that ought to be ignored;
____ contributions are critical to the conversation too, and you will need to let your conversational partners help steer it.
So no matter what your plan was when you started, you will need to ____ flexible and open to different directions once you’re actually interacting with people.
5 타인의 감정 파악에 도움을 줄 수 있는 소설 읽기
____ not only satiates theory of mind but also instructs it.
People who read more ____ exhibit enhanced social reasoning, from identifying others’ emotions, to adopting their perspective, to empathizing with their situation.
Some of the most compelling evidence for this relationship comes from a test called “Reading the ____ in the Eyes.”
____ what people are thinking just by looking at their eyes can be highly challenging.
It’s not too difficult to tell whether they are happy ____ sad, but could you tell if they were suspicious or indecisive? Accusing or irritated?
Such differences ____ detectable, but not everyone is skilled at detecting them.
People who ____ a lot of fiction turn out to be more skilled.
They can distinguish romantic signals from gratitude or ____ from boredom just from the eyes.
Contemplating emotions in fiction appears to improve the detection of these emotions in real life, even though we never see anyone’s ____ when reading.