EBS 2026학년도 수능완성 영어 1강
1강 필자의 주장 글의 요지
기출 인간의 문화적 도구인 도덕성
Even ____ there is good reason to consider a dog a sentient being capable of making choices and plans — so that we might suppose ‘it could have conceived of acting otherwise’ — we’re unlikely to think it is wicked and immoral for attacking a child.
Moral responsibility is not some universal concept like entropy or temperature — something that ____ equally, and can be measured similarly, everywhere in the cosmos.
It is a notion developed specifically for human use, no more or ____ than languages are.
While sentience and volition are aspects of mind and agency, morals are ____ tools developed to influence social behaviour: to cultivate the desirable and discourage the harmful.
They are learnt, not given at birth. It’s possible, indeed likely, that we are born with a predisposition to cooperate with others — but only within human society do we come to understand this as moral ____
1 영화의 장르 관습
Conventions are frequently used stylistic techniques or narrative devices typical of (but not necessarily unique to) particular genre ____
Movies ____ use of many conventions.
____ of dialogue, musical figures, physical action, and patterns of mise-en-scène are all aspects of movies that, repeated from film to film, become established as conventions.
In a film musical, for example, narrative progression usually ____ for the production numbers as characters break into song and dance accompanied by music that seems suddenly to materialize from nowhere.
Where we might find such moments ____ of place in, say, a gangster film or a horror film, we allow for this artifice in film musicals.
According to Bordwell, Staiger, and Thompson, each genre creates ____ own rules, and the spectator judges any given element in the light of its appropriateness to genre conventions.
In other words, conventions function as an implied agreement between makers and consumers to expect ____ techniques and devices in certain contexts.
Consumers, thus, are crucial to the development of ____ over time.
2 자기 연민의 필요성
Can you tenderly look at the landscape of your life and lovingly explore its pits and grooves, its highs and lows, without releasing the harsh, hateful, and truly mean voice that lives ____ your head?
You know that voice all too well. It’s the tape that plays over and over that ____ barely notice but that rules your universe.
You are too this, too ____ not enough this, not enough that.
Can you quiet that voice and find the sweet, loving part of you that has been there for all of your friends, holding the light in the midst of their most devastating failures and ____ mistakes?
____ you just this once be that for yourself?
The process of reinventing yourself and revisioning your life requires not only courage ____ a deep sense of compassion we don’t ordinarily shine on ourselves.
It’s brave to look at what you’ve created in every area of your life, and the compassion keeps you from wanting to ____ the painful parts.
It’s the reckoning that ____ the dream.
And it’s a necessary part of the process that ____ be shortchanged.
3 성공과 행복에 관한 그릇된 인식
If success and happiness were more aligned with what you do than who you are being, then it follows that the more work ____ do and the faster you do it, the more ‘success’ you will achieve and the faster you will accomplish it.
____ that simply isn’t what happens.
Burnout, stress, anxiety, and mental health issues are worse in Western society than previous decades, ____ better.
Despite advances in technology, despite how hard we work, despite ____ increasing number of hours and overtime we are doing, there is ample research to show that our collective sense of wellbeing is diminishing, not increasing.
The world is not a happy place despite ____ our efforts to the contrary.
To ____ society’s mantra of “Do more to be more!”, then, is no different from following the words of false prophets: you risk submitting yourself to the power of others and enslaving yourself to their whims and desires.
Your life is no longer your ____
4 자신의 생각과 다른 관점의 수용
____ because you have a plan doesn’t mean that you can always stick to it.
Nevertheless, you still need to have one! You’ll be talking with real ____ who don’t necessarily have the same perspective as you.
They will have their own agendas, questions that are off-the-wall to you (but fascinating to them), unanticipated confusions, and ____ personal concerns.
They will ____ their own funds of knowledge.
____ it’s important that you listen for all of these things and respond to them in a genuine way.
You don’t want your activity to be a performance where the public’s contributions are treated ____ some random humming that ought to be ignored;
these contributions are critical to the conversation too, and you will need to let your conversational partners help steer ____
So no matter what your plan was when you started, you will ____ to be flexible and open to different directions once you’re actually interacting with people.
5 타인의 감정 파악에 도움을 줄 수 있는 소설 읽기
Fiction not only satiates theory of mind but also instructs ____
People who read ____ fiction exhibit enhanced social reasoning, from identifying others’ emotions, to adopting their perspective, to empathizing with their situation.
Some of the most compelling evidence for this relationship comes from a test called “Reading the Mind ____ the Eyes.”
Determining what people are thinking just by looking ____ their eyes can be highly challenging.
It’s not too difficult to tell whether they are happy ____ sad, but could you tell if they were suspicious or indecisive? Accusing or irritated?
Such differences are ____ but not everyone is skilled at detecting them.
People ____ read a lot of fiction turn out to be more skilled.
They can distinguish romantic signals from gratitude or caution from boredom just from ____ eyes.
Contemplating emotions in fiction appears to improve the detection of these emotions in real ____ even though we never see anyone’s eyes when reading.